das ist doch gemein!
under the bridge
is it even real?
oberhammer
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship & production campus
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need to live?
anonynums sculture
fieldstation
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof

arch
arch
krach
arch
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arch
krach
arch
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arch
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arch
krach
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arch
krach
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krach
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krach
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thilo preuß, clemens urban
kaya liffler, paula scheibke
christian sternhagen
kaya liffler, paula scheibke
matthias walbröl
h. getas, p. lambard, p. bomey
christian sternhagen
a. dardenne, m. leridee, r. kuznicki, a. correia, p. bomey, anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmannpola machinskafelix schröder kaya liffler, paula scheibke, christian sternhagen, marijke kiparski, alexandra faix, mathis bergmannfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras 
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmanncecelia vincent
lina etzkorn
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilkleander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaafulrich kneisl, felix schröder kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen

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collected works from students, friends, young architects and creatives on the subject of architecture (arch) and the noise (krach) around it. collected for other people to be inspired,
to get in contact, to research and/or to procrastinate

if you also want to submit a work, please send us an email or contact us on instagram:




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anonymous sculpture
Namur is the industrial heartland of Wallonia. Within Namur lies Recynam, an organisation that recovers and reuses building demolition waste in sustainable ways. Beside Recynam sits Carriere de Bossime, an abandoned limestone quarry and site of natural beauty now inhabited by wild boars. Our fieldwork across the province of Namur led to a fascination with the industrial sculptures and silos that pierce this hybrid landscape of industry and nature. 

Studying the work of Bernd and Hilla Becher, particularly the Anonymous Sculptures series, we began to dissect this fascination. Such industrial forms are intriguing as they are designed function first, aesthetics second (if at all). Our experience of them is also unique in that one can never go inside, or often know the function. They are inaccessible, usually viewed through the window of a passing car on the motorway. 

This project creates a new lens to experience an Anonymous Sculpture. Our structure retains the allure of this typology in that it does not allow people to go ‘in’, but it provides new perspectives to look up and look down. The monument also provides a platform for Recynam’s soil research programme, a small facility tucked away at the back of the site that stores soil excavations before analysing them for contaminates and finding suitable locations for redistribution. Learning from the Bechers, we understood a dialogue between frame and mass. Our intention was to design a dismountable structure that could be fully prefabricated; this elemental approach began with the repositioning of the existing interlocking concrete blocks on the site that store and separate soils. Above these walls sits, visibly distinct, a new timber frame with rammed earth blocks sandwiched between the platforms. The blocks, containing recycled concrete gravel from Recynam, are dry stacked between plywood sheathing boards, with steel tension cables holding them and the platforms in place.