das ist doch gemein!
under the bridge
is it even real?
oberhammer
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship & production campus
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need to live?
anonynums sculture
fieldstation
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof

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thilo preuß, clemens urban
kaya liffler, paula scheibke
christian sternhagen
kaya liffler, paula scheibke
matthias walbröl
h. getas, p. lambard, p. bomey
christian sternhagen
a. dardenne, m. leridee, r. kuznicki, a. correia, p. bomey, anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmannpola machinskafelix schröder kaya liffler, paula scheibke, christian sternhagen, marijke kiparski, alexandra faix, mathis bergmannfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras 
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmanncecelia vincent
lina etzkorn
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilkleander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaafulrich kneisl, felix schröder kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen

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collected works from students, friends, young architects and creatives on the subject of architecture (arch) and the noise (krach) around it. collected for other people to be inspired,
to get in contact, to research and/or to procrastinate

if you also want to submit a work, please send us an email or contact us on instagram:




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panorama - archeology of the present

A panorama is to be created at the Hambach Forest. An area that is exhibited through the transformation of the same. A radical transformation did not only begin when the ground-breaking ceremony for the open-cast mine was made. Nevertheless, a chain of possible scenarios was set in motion at that moment, which in fact are not completely foreseeable. Even now, the future of the place remains unclear. In the changeability of the unclear lies an opportunity to explore the constantly evolving present of the place. In order to make this research possible, a medium is required that represents the researched present and makes it tangible through a shell.

The architecture should create an interface between place and image, as well as reality and fiction. In order to make this possible, the architectural design develops three visual programmes, which prepare and follow up what is seen and what is seen for the visitors. Thus the idea of the incident and manipulated image is continued in the architecture. At the same time, the architectural shell should not only be a place of exhibition but also a place of production and discourse, with the last two points being clearly subordinated.

The design is located on the southern edge of the open-cast construction site, on the demolished former motorway. An element that links different identities of the place through its fragmentary character. The area is accessed via the disused road that leads through the Hambach Forest to the station arrival point. The journey begins there either by arriving by train, bicycle or car. A landmark designed on a former excavator carrier indicates cryptically what is to be experienced. Continuing, various fragments line the path, which anticipate individual identities of the place.