dis/assemble
01/17
fermen-t-able
void
drushba
hotel national
forum 27
re-fulfilment centre
beyond demolition
gecekondu
idle water
was ist phase?
das wilde bauen
das ist doch gemein!
under the bridge
oberhammer
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship campus
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need?
anonynums sculture
rooms of curiosities
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof
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krach
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meryl barthe, noémie perregaux-dielf
jonathan burkard
hannah ehre, marlene koßmann
léon bührer
gabriyel dari
olga cobuscean
pierre bomey
francis cheung
kimberly rahn,  toni bethäuser
joshua delissen
max bender
lucy wang
christian sternhagen
thilo preuß, clemens urban
kaya liffler, paula scheibke
kaya liffler, paula scheibke
matthias walbröl
h. getas, p. lambard, p. bomey
christian sternhagen
a. dardenne, m. leridee, r. kuznicki, a. correia, p. bomey, anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmannpola machinskafelix schröder kaya liffler, paula scheibke, christian sternhagen, marijke kiparski, alexandra faix, mathis bergmannfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras 
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmanncecelia vincent
lina etzkornlorena cirillo
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilkleander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaafulrich kneisl, felix schröder kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen

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01/17 

SEED PLANTING NO MASTER PLANNING
Thesis
Brussels' European Quarter is on the cusp of transformation. The city is eager to introduce residential uses and diversify the area, presenting "shared visions," compelling imagery, and feasible plans. However, the evolution of such a hyper-specific district cannot occur overnight. Historically, the quarter has undergone three major transformations over the past 200 years: the founding of the Quartier Léopold, its erosion in the 20th century, and the failed Urbain Loi project. Now, it faces a fourth transformation—one that must be understood as an ongoing process rather than a finite, definitive outcome. This shift demands a synergetic counterprogramming approach to vacant buildings, emphasizing contrast with the surrounding environment as a guiding principle.

Programmatic Approach
The first design layer focuses on a programmatic counterproposal to the monofunctional office-centric nature of the surrounding buildings. The aim is to facilitate highly heterogeneous uses, creating a stark contrast with the existing environment. By addressing existing and projected patterns of use, gaps are filled, mitigating temporary vacancies. Temporal overlaps in usage interweave to form a cohesive whole, setting the stage for the quarter’s transformation from a monotonous office district into a vibrant, multifaceted neighborhood.

Structure
Preserving and adapting these buildings serves as a counterpoint to the recurring "standard solution" of demolition and redevelopment. The existing office typology, while offering significant spatial potential (approximately 15,400 m²), also presents challenges, such as deep floor plans (18m), low ceiling heights (2.65m), and a load-bearing façade. These constraints define the framework for the design intervention, emphasizing repair and adaptive reuse over demolition, fostering a sustainable and innovative approach to urban regeneration.