das ist doch gemein!
under the bridge
is it even real?
oberhammer
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship & production campus
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need to live?
anonynums sculture
fieldstation
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof

arch
arch
krach
arch
arch
arch
krach
arch
krach
arch
arch
arch
krach
arch
arch
krach
arch
arch
arch
krach
arch
arch
arch
arch
arch
arch
arch
arch
krach
arch
arch
arch
arch
krach
arch
arch
arch
arch
arch
arch
arch
arch
arch
arch
arch
arch
arch
arch
arch


thilo preuß, clemens urban
kaya liffler, paula scheibke
christian sternhagen
kaya liffler, paula scheibke
matthias walbröl
h. getas, p. lambard, p. bomey
christian sternhagen
a. dardenne, m. leridee, r. kuznicki, a. correia, p. bomey, anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmannpola machinskafelix schröder kaya liffler, paula scheibke, christian sternhagen, marijke kiparski, alexandra faix, mathis bergmannfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras 
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmanncecelia vincent
lina etzkorn
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilkleander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaafulrich kneisl, felix schröder kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen

2024
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collected works from students, friends, young architects and creatives on the subject of architecture (arch) and the noise (krach) around it. collected for other people to be inspired,
to get in contact, to research and/or to procrastinate

if you also want to submit a work, please send us an email or contact us on instagram:




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on what a shadow falls
Discovering the complexity of textile with all its properties as a material, such as different textures, transparency, colour, deformation and elasticity, leave traces in the following work. Handmade produced textile-objects are staged on sets, flooded with light. The interplay of a three-dimensional object and its projection on a background or surface are main topics of this work.

An object falls.
A shadow falls.

It appears as an image, and its presence is no less important than the object itself. It is layered, it is spatial and deep. The unpredictability of its movement and appearance in space create complex images. Through different analog media, film and photography captured, the work shows a wide spectrum of theatrical, high resolution, almost artificial images. Themes like scale, colours, framing, composition and spatial arrangement, as well as the technique and the power of photography, are especially in focus here.A broad translation process of the original photographs into new different artworks have been developed in the latest works. A selection of woven pieces, sequences and fragmented images change the general appearance of the initial photographs. Graphic techniques with grids and lines try to achieve subtle even more spatiality and perspective in the existing images.

The work oscillates in between two- and three dimensionality, paper and textile, recognition and unrecognizability, to trigger the viewer‘s perception. The entire work plays with the manipulation of images between movement and stillness, between dynamic lightness and the incredible strength and gravity that objects bare. Using these conditions to create images was one of the main challenges in a very dynamic process. Weighing, selecting, controlling, recombining and sequencing shows a broad elaboration of the final work.