drushba
hotel national
forum 27
re-fulfilment centre
beyond demolition
gecekondu
idle water
was ist phase?
das wilde bauen
das ist doch gemein!
under the bridge
oberhammer
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship campus
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need?
anonynums sculture
rooms of curiosities
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
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atelierhaus
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sml
faust III
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gabriyel dari
olga cobuscean
pierre bomey
francis cheung
kimberly rahn,  toni bethäuser
joshua delissen
max bender
lucy wang
christian sternhagen
thilo preuß, clemens urban
kaya liffler, paula scheibke
kaya liffler, paula scheibke
matthias walbröl
h. getas, p. lambard, p. bomey
christian sternhagen
a. dardenne, m. leridee, r. kuznicki, a. correia, p. bomey, anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmannpola machinskafelix schröder kaya liffler, paula scheibke, christian sternhagen, marijke kiparski, alexandra faix, mathis bergmannfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras 
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmanncecelia vincent
lina etzkornlorena cirillo
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilkleander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaafulrich kneisl, felix schröder kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen

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idle water
Manazuru is a small harbor town located in southern Tokyo Bay. The harbor is characterized by elements specific to its use, which, though purely pragmatic in design, contribute to its unique appearance. While these elements are static, the fishermen, day visitors, and their interactions with the space add a dynamic layer to the harbor's character. The project's approach is to formalize the fishing legacy and tradition in a new design that supplements, rather than replaces, the existing structures.

The methodology of the analysis focused primarily on photographic and site-specific examination of the harbor area, as well as direct engagement with users through conversations and interviews. The goal is to develop a sustainable approach that preserves the cultural significance of fishing for Japan's coast, ensuring that the harbor's legacy is passed on to future generations. Additionally, this approach aims to address the stagnating population figures in rural areas by preserving and enhancing an important cultural asset.

The Longhouse is situated on the south side of the main harbor edge and marks the transition from the public fishing area to the industrial zone. The harbor's users converge not only in the harbor itself but also within the Longhouse. Fishermen can relax in a break room, while day guests and rod fishers can repair their gear next door. All spaces in the Longhouse can be connected with movable partition doors, similar to traditional Shoji screens. The general structure is divided into a public working area that opens via a roofed outdoor space (akin to an Engawa) toward the water, and an enclosed section with restrooms and showers on the southern, more private side. The front desk, which houses the harbor master, as well as the workshop area, are flat, while the closed side follows the slope of the harbor basin.

The Locker is centrally located among the new structures. It is a multifunctional space designed for storing equipment during the day or for market vendors to keep their personal belongings while selling at the weekly harbor market. The roof provides shelter from the rain and serves as a meeting point for visitors. The second layer of enclosure is the locker room itself, a fully closed, single-story pavilion. The roof can be accessed via stairs on its facade.

The new bus stop marks the entry point to the harbor by land. It symbolizes the open and welcoming character of the newly formed harbor ecosystem.



                                                                                                                                                                 the longhouse


                                                                              the locker                                                                                    
                                                                                                                                                                                                            the busstop