das ist doch gemein!
under the bridge
is it even real?
oberhammer
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship & production campus
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need to live?
anonynums sculture
fieldstation
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof

arch
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krach
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thilo preuß, clemens urban
kaya liffler, paula scheibke
christian sternhagen
kaya liffler, paula scheibke
matthias walbröl
h. getas, p. lambard, p. bomey
christian sternhagen
a. dardenne, m. leridee, r. kuznicki, a. correia, p. bomey, anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmannpola machinskafelix schröder kaya liffler, paula scheibke, christian sternhagen, marijke kiparski, alexandra faix, mathis bergmannfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras 
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmanncecelia vincent
lina etzkorn
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilkleander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaafulrich kneisl, felix schröder kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen

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collected works from students, friends, young architects and creatives on the subject of architecture (arch) and the noise (krach) around it. collected for other people to be inspired,
to get in contact, to research and/or to procrastinate

if you also want to submit a work, please send us an email or contact us on instagram:




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documentary of spaces: come with me to scandinavia
,,[ ... ] a documentary may be understood as a series of visually and/or audibly expressed statements connected by a narrative, and communicated from the author/authors to the viewer with the intention it be received as fact."A common phenomenon of architects when they design is to look at a site from above. Important details and the stakeholders involved are usually left out. 

This project started with a meticulous documentation of things I liked about the site of the Scandinavian hou­sing. I had a strong instinct of not wanting to change anything because almost everything I looked at appealed to me. I liked things. A place characterized by extreme diversity could not be changed just like that. So i started this journey of exploring the buildings and their surroundings while documenting it by using the practice of ethnographic drawings and models. With that I want to value the things that are not yet valued, see behind the obvious and encourage people - specifically architects - to look precisely on spaces. You can find so many beautiful things! The approach of documentation functions in this case as a kind of reflection tool, where I can come - other than anthropologist - to architectural maybe even space-changing condusions.In a next step I started to mix fragments of the documentary with fictional elements that are acting like a con­trast fluid, a marker or a reaction to the specific discovery in order to embrace it. What I thus do is reflecting the docum.ented in a special design. lt is an intervention but at the same time an interaction with the discovery. 

The conclusions might be on the one hand a fun imagination but could have also the claim of a realistic design.