arch & krach    






framework for occupation
schwarz zu blau
fresno farmers market
addition
wohnen in sicht
drawing at perceptual limits
mind the gap
collection 01
hotel interim
living metamorphosis
intermission
verrerie
traumhäuser des kollektivs?
dis/assemble
01/17
fermen-t-able
void
drushba
hotel national
forum 27
re-fulfilment centre
beyond demolition
gecekondu
idle water
was ist phase?
das wilde bauen
das ist doch gemein!
under the bridge
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship campus
oberhammer
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need?
anonynums sculture
rooms of curiosities
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof
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valerie boeckel
max sandred
felix piel
jonathan burkard, christian sternhagen
andreas stanzel
cäcilia halbgewachs
fernando garrido carreras
killian paterson
aberle, klein, jakoby, grebe
meryl barthe, noémie perregaux-dielf
jonathan burkard
hannah ehre, marlene koßmann
léon bührer
gabriyel dari
olga cobuscean
pierre bomey
francis cheung
kimberly rahn,  toni bethäuser
joshua delissen
max bender
lucy wang
christian sternhagen
thilo preuß, clemens urban
kaya liffler, paula scheibke
matthias walbröl
getas, lambard, bomey
christian sternhagen
dardenne, leridee, correia, bomey kaya liffler, paula scheibke
anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmann, pola machinska, felix schröder, liffler, scheibke,  sternhagen, kiparski, faixfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmann, cecelia vincent
lina etzkorn, lorena cirillo
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilk, leander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaaf, ulrich kneisl, felix schröder, kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen






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how to repair robin hood gardens?
Facing its imminent demolition, Robin Hood Gardens, the large-scale housing project by Alison and Peter Smithson asks for urgent attention. Our project proposes the radical repair of the building and tackles simultaneously the precarious situation of student housing in the UK.

The project proposes repair as an act of radical resistance. Against standardised and dehumanising models, it makes a plea for an engaged way of intervening in the existing. Robin Hood Gardens serves as a case study in order to explore the potential of post-war housing. Our intervention goes beyond a simple rehabilitation. It aims to give buildings the opportunity to evolve over time, while respecting its values. We believe in an architecture that considers history as a living material, placing users at the center and encouraging appropriation. In London, the crisis of student housing is worrying. Privatization of the sector has led to a 67% rise in rents, forcing 1/5th of students to live in unhealthy and over-occupied conditions. This project proposes to rethink student housing through the very act of repair. It is guided by two key principles - adaptability and appropriation - and inspired by two references: the approach of John Habraken towards flexible housing and the work of Simone and Lucien Kroll in relation to experimentation. 

Robin Hood Gardens is repaired without masking the traces of its time. A secondary steel structure supports the weaknesses of the primary structure. Each scar remains visible. Each intervention becomes identifiable. Repairing is revealing. But the project also faces the future and thinks long term. The steel structure creates flexible spaces, in which students can shape their own environments. Accommodations are modular and reconfigurable, turning individual modules into a collective space when needed. This system offers an infinite variety of uses exploring new forms of collectivity. In renewing the very typology of student housing, this project asks one simple question : how to repair the world together?