arch & krach    






venusberg II
last places for women in afghanistan
zeile für zeile
wo wir alt werden
das haus als organismus
le phare
poniente
sportzentrum windelsbleiche
how to repair robin hood gardens?

(neue) grossform
funkturm
über das wohnen
repair the system
empty beauties
framework for occupation
schwarz zu blau
fresno farmers market
addition
wohnen in sicht
drawing at perceptual limits
mind the gap
collection 01
hotel interim
living metamorphosis
intermission
verrerie
traumhäuser des kollektivs?
dis/assemble
01/17
fermen-t-able
void
drushba
hotel national
forum 27
re-fulfilment centre
beyond demolition
gecekondu
idle water
was ist phase?
das wilde bauen
das ist doch gemein!
under the bridge
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship campus
oberhammer
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need?
anonynums sculture
rooms of curiosities
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof
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valerie boeckel
max sandred
felix piel
jonathan burkard, christian sternhagen
andreas stanzel
cäcilia halbgewachs
fernando garrido carreras
killian paterson
aberle, klein, jakoby, grebe
meryl barthe, noémie perregaux-dielf
jonathan burkard
hannah ehre, marlene koßmann
léon bührer
gabriyel dari
olga cobuscean
pierre bomey
francis cheung
kimberly rahn,  toni bethäuser
joshua delissen
max bender
lucy wang
christian sternhagen
thilo preuß, clemens urban
kaya liffler, paula scheibke
matthias walbröl
getas, lambard, bomey
christian sternhagen
dardenne, leridee, correia, bomey kaya liffler, paula scheibke
anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmann, pola machinska, felix schröder, liffler, scheibke,  sternhagen, kiparski, faixfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmann, cecelia vincent
lina etzkorn, lorena cirillo
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilk, leander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaaf, ulrich kneisl, felix schröder, kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen






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venusberg II


The Upper Erzgebirge (Ore Mountains) in eastern Germany are shaped not only by their topographic conditions but also by the industrial monuments that emerged from them. The waterpower of the fast-flowing rivers, and later steam power, made Saxony one of the world’s leading industrial regions. In light of the profound structural changes after 1990 and the associated economic decline, this period of industrial prosperity today seems almost forgotten. A material testimony to this era can be found in the Saxon spinning mills, whose architecture still bears witness to that time. Many of them are now abandoned and vacant, forming part of a significant industrial heritage that is acutely threatened with disappearance.

This thesis is dedicated to the Venusberg II spinning mill near Drebach, which remained in operation until 2022. The approximately 20-hectare, densely built ensemble is still comparatively well preserved but shows the first signs of decay. Without a viable reuse, this valuable monument is at risk of being lost.  The concept of the thesis envisions restoring the factory halls to productive use while maintaining commercial interim uses in other buildings. Only a combination of different functions can revitalize the entire site. Demolition is planned where dilapidated structures or overlaid layers impair future operations or the legibility of history. At the same time, the site is to be opened up in order to strengthen its role as an identity-shaping element for the region.

Indoor agriculture is proposed as the new production. It closes a historical and economic gap, strengthens regional food supply, follows sustainable future strategies, and can be well integrated into the existing building structure. The realization of a project on this scale requires a step-by-step approach over a longer period of time. The project demonstrates how multi-story cultivation can be implemented, how roof areas can provide additional growing space, and how waste heat can be put to meaningful use. An energy concept incorporates regional resources such as the Markersbach pumped-storage power plant and a nearby wind farm.

This thesis positions itself as a contribution to the discussion of how the reactivation of industrial heritage can generate impulses for regional development and how forgotten sites can be transformed into new spaces for the future.