arch & krach    






poniente
sportzentrum windelsbleiche
how to repair robin hood gardens?

(neue) grossform
funkturm
über das wohnen
repair the system
empty beauties
framework for occupation
schwarz zu blau
fresno farmers market
addition
wohnen in sicht
drawing at perceptual limits
mind the gap
collection 01
hotel interim
living metamorphosis
intermission
verrerie
traumhäuser des kollektivs?
dis/assemble
01/17
fermen-t-able
void
drushba
hotel national
forum 27
re-fulfilment centre
beyond demolition
gecekondu
idle water
was ist phase?
das wilde bauen
das ist doch gemein!
under the bridge
a (siegen) learning space
ivry’s pier
kandylakia
craftmanship campus
oberhammer
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need?
anonynums sculture
rooms of curiosities
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof
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valerie boeckel
max sandred
felix piel
jonathan burkard, christian sternhagen
andreas stanzel
cäcilia halbgewachs
fernando garrido carreras
killian paterson
aberle, klein, jakoby, grebe
meryl barthe, noémie perregaux-dielf
jonathan burkard
hannah ehre, marlene koßmann
léon bührer
gabriyel dari
olga cobuscean
pierre bomey
francis cheung
kimberly rahn,  toni bethäuser
joshua delissen
max bender
lucy wang
christian sternhagen
thilo preuß, clemens urban
kaya liffler, paula scheibke
matthias walbröl
getas, lambard, bomey
christian sternhagen
dardenne, leridee, correia, bomey kaya liffler, paula scheibke
anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmann, pola machinska, felix schröder, liffler, scheibke,  sternhagen, kiparski, faixfinn marcelli
jonathan burkhard
lilly irmer, sophie kalwa
léopold parras
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmann, cecelia vincent
lina etzkorn, lorena cirillo
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilk, leander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaaf, ulrich kneisl, felix schröder, kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen






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Poniente - An Alternative Model In The Hyperproductive Greenhouse Landscape of Almería


 With its 32,800 hectares of greenhouses, the Andalusian peninsula of Campo de Dalías, is the hotspot and namesake of the Sea of plastic: a place of concentrated and intensive greenhouse production of food, mainly for the European market. This has led to serious environmental problems as well as labour exploitation and precarious living conditions for the harvest workers, many of whom are migrants seeking a better life in Europe. The present system is founded upon the excessive consumption of groundwater, a practice which has resulted in the overuse of the region‘s dwindling water resources. 

This thesis explores an alternative production model in the Almeriense greenhouse landscape, moving away from the complex system of food towards a local economy of soap. It integrates systems for water generation into architectural structures, aiming to transform intensive agriculture in a more ecological and socially sustainable direction, while also providing dignified living conditions for seasonal workers. Traditional cultivation techniques and low-tech solutions are rediscovered and implemented in the process of soap production. The project is based on the utilisation of the sites unique features, especially the coastal winds for the purpose of harvesting water. An irrigation system seizing topographical features for the irrigation of agricultural fields is also employed, which is facilitated by a network of rainwater channels. The soap is to be sold to surrounding hotels with the objective of financing a housing programme, addressing the pressing need for workers‘ accommodation in the region. 

The project was developed as part of the WATER EVER regular master thesis led by Prof. Diébédo Francis Kéré at the Chair of Architectural Design and Participation during the winter semester 2024/25. The regular thesis focused on developing site-specific architectural responses to the challenges of water scarcity and excess. The aim was to explore new approaches to water in the built environment through experimental typologies and context-driven strategies.