arch & krach                                                                                              








skins
birds views
what if
!jaja¡
fictional ruins
the pleasure in small things
a house in motion
bathroom
the building worthy of change
pass this on
salt water clay
préface
living in the parking lot ...
about a contamination issue
mapping the alps
indeterminate walls
the forest square
antenne bel-air

care spaces
spielfuge
lebenslabor
clutter
house 378
mutua

haus am opernplatz
circus omnibus
demolition as the first stage
raummodell
co-care
pavilion epikur
nobody is an island
genius pyrenaei
white elephant
venusberg II
last places for women
zeile für zeile
wo wir alt werden
das haus als organismus
le phare
poniente
sportzentrum windelsbleiche
how to repair robin hood gardens?

(neue) grossform
funkturm
über das wohnen
repair the system
empty beauties
framework for occupation
schwarz zu blau
fresno farmers market
addition
wohnen in sicht
drawing at perceptual limits
mind the gap
collection 01
hotel interim
living metamorphosis
intermission
verrerie
traumhäuser des kollektivs?
dis/assemble
01/17
fermen-t-able
void
drushba
hotel national
forum 27
re-fulfilment centre
beyond demolition
gecekondu
idle water
was ist phase?
das wilde bauen
under the bridge
a (siegen) learning space
ivry’s pier
craftmanship campus
oberhammer
split
extraordinary standards
the collected building
fiktion
documentary of spaces
ko(r)nversion
embracing uncertainty
who cares?
zwischenhaus
concrete operations
triemli+128
house of desires
leipziger allerlei
parasite
zeitdokument
data center
how many rooms you need?
anonynums sculture
rooms of curiosities
neues kösk
on what a shodow falls
post auto mobile
random access memories
panorama
umbau um umbau
kosmos der dinge
superparkmarkt
archifiktion
herberge am grimselpass
kraft und licht
wandelhalle nord
reconstruct häring
upcyclinghof
hybrid
big mix
atelierhaus
revitalisierung einer werft
bauteildepot
sml
faust III
bauteil bahnhof
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luca hopf, henrik marx
yannick fortiguerra
daniel hirschel, sarah acker
gioele gelmetti, enrico mognato, enrico andretta, giovanni pravato, stefano dissette, 
manuel heredia behne, anton müller, nathalie berrier,  tim moosbrugger, leon wipfler
nicolas holzapfel, lotte becher
adriana balague, emily bardenz, ines branet, noa gherbi, therese huang høivik
isabel grohe, hanna lindenberg
tobias trübenbacher, tillmann gebauer
pierre couture, léo gubert
mingxiang zheng
luca discacciati, jonathan fritz
melody pourtangestani, alžběta čásenská
jakob leyens
andrea paoletti, nicola russo, riccard roldi, gianluca rizzotti, jacopo feslikenian, giacomo gallo, louis meier
marijke kiparski, clara meissen
jakob schaefermeyer
natasha lvova
paula angel
misel dragic
jaleesa menschel
joke rosenberger
jacopo taccari, memo sanchez
lorenz trüb
tim bauer
dorothea harrer
pius rümmler, linus mohr, stefanie herrmann
leslie majer
baptiste dintilhac
lida freudenreich, kaspar zilian
alexander ostrovskis, leo dinkelacker
carina mosafer
anna marte, annie kundrus
marlene koßmann, charlotte dahmen
hannah cerbe, quirin grubert, lina nikolic
helena reinhard, tiara bouffart
christoph zacharski, alexander hintermaier
bruno weitkamp
alexis monet
maximilian gömann
werner thäsler
stefan haal, leonhard kaiser
tjark schade
lilly irmer, sophie kalwa
fabian jäger
max bender, alexandra faix
connor gravelle
timur karahan, daniel hirschel
valerie boeckel
max sandred
felix piel

jonathan burkard, christian sternhagen
andreas stanzel
cäcilia halbgewachs
fernando garrido carreras
killian paterson
aberle, klein, jakoby, grebe
meryl barthe, noémie perregaux-dielf
jonathan burkard
hannah ehre, marlene koßmann
léon bührer
gabriyel dari
olga cobuscean
pierre bomey
francis cheung
kimberly rahn,  toni bethäuser
joshua delissen
max bender
lucy wang
christian sternhagen
kaya liffler, paula scheibke
matthias walbröl
getas, lambard, bomey
dardenne, leridee, correia, bomey kaya liffler, paula scheibke
anna schmitz
mathis bergmann, jonas könig
emily bardenz, finn gredel, kian matine leander lentner
marlene koßmann
dao le
jonathan burkard, marlene koßmann, pola machinska, felix schröder, liffler, scheibke,  sternhagen, kiparski, faixfinn marcelli
jonathan burkard
lilly irmer, sophie kalwa
léopold parras
johannes zerfass
christian sternhagen, jonathan burkard yannic kohnen
maximilian gömann, paulina kirschke jakob naujack
hannah herrmann, cecelia vincent
lina etzkorn, lorena cirillo
vitus michel, levin arnold
lina etzkorn
lukas frenzel
eva beule, gerda callista, melissa enriquez, katharina glorius, franziska wilk, leander lentner, marlene koßmann
malte mittelstädt
jonah burgsteiner, klara schmidt
finn marcelli
marlene koßmann
felix piel
sebastian schaaf, ulrich kneisl, felix schröder, kaya liffler, paula scheibke
mathis bergmann
lina etzkorn
felix piel, fabian jäger
jonathan burkard, yannic kohnen
jonas könig, paul stockhausen
joshua delissen
jonathan burkard
dao le, christian sternhagen
mathis bergamnn, christian sternhagen christian sternhagen






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Patching Metabolic Rifts
This project focuses on slag, the anthropogenic end product of waste incineration. In Hamburg alone, around 170,000 tons are produced each year, about half of which is deposited in salt mines. Slag thus marks the end of an urban material cycle. The design begins precisely at this point: it makes the mass visible while simultaneously investigating the spatial and constructive qualities of the material. 

The starting point is the temporary situation of Kampnagel (cultural production space located in Hamburg), which requires alternative venues across the city during a five-year renovation phase. The project understands this necessity as an opportunity to develop new performative spaces while contributing architecturally to the societal discourse on consumption and its residues. The chosen site is the former Esso-Häuser on the Reeperbahn, which has remained unused since its demolition in 2014. Here, slag is heaped up and shaped into a transformable topography that serves as an accessible and performative landscape. Within this mass, the necessary spaces for performances are embedded along the former foundation structures. 

The spaces emerge directly from the material itself: slag is contained between inner and outer layers of expanded metal and stabilised using wall anchors. An additional steel structure absorbs the lateral pressure forces. Above, a textile roof spans the space, providing flexible coverage for performances. Steel plates beneath the slag act as temporary foundations, enabling a reversible construction. The design transforms slag from an invisible residual material into a defining architectural element, making the material consequences of urban life immediately tangible. 










Waste incineration plants  - Obsolete structures 

There are three waste incineration plants in the greater Hamburg area: MVR, MVA and MVB. Due to the high requirements for environmental and emission protection as well as the heavy material stress during ongoing operation, such systems usually no longer meet the applicable guidelines after around 50 years. They become obsolete. Instead of comprehensively renovating them, they are usually dismantled and then rebuilt, as this is considered more economical. An example of this is the MVA Stapelfeld. Hamburg produces around 1.2 million tonnes of waste every year, around 55% of which is incinerated. 

The combustion process produces slag - an anthropogenic material that often appears natural in appearance. Around 170,000 tons of slag remain from around 660,000 tons of burned waste. Around 50% of this amount is not recycled but is instead dumped, partly in former mines. Slag thus forms a final end product of the waste process. Some of the slag is processed and is then considered harmless to humans. We found the dimensions of this process particularly impressive. Against this background, the design aims to make the otherwise hidden processes of waste incineration spatially and socially visible.

Metabolic Rift is a Marxist theory popularized by John Bellamy Foster that describes the irremediable rupture in the metabolism between humanity and nature caused by capitalist modes of production.Metabolic Rift is a Marxist theory popularized by John Bellamy Foster that describes the irremediable rupture in the metabolism between humanity and nature caused by capitalist modes of production.

Esso houses 

For decades, the Esso Houses formed a vital social and urban hub on Hamburg’s Reeperbahn, bringing together residents, visitors, workers, and nightlife in a unique mix of public and private life. Since their controversial demolition, the site has remained fenced off and unused for over twelve years, despite repeated public calls for meaningful participation in its future. Our proposal reopens the site by selectively removing sections of the fence, creating new connections and strengthening the relationship between public and private space. 

Existing foundations and fragments of the former buildings are preserved and reused as carriers of memory, shaping the new public realm while continuing the site’s historical narrative. In this way, St. Pauli regains a place that is rooted in its past while providing an open and active urban space for the future.


  





Patching Metabolic Rifts – Capable Spaces

By bringing slag back into public view, the project reconnects an overlooked material with a forgotten site through a low-cost temporary intervention. A flexible landscape of slag reshapes the terrain, while permanent spaces for performers and visitors are embedded within the existing foundations. Movable sails and a suspended lighting truss allow the performance space to continuously adapt to different events. A hybrid kiosk and bar recalls the former Esso gas station, reactivating the site as a social meeting point for St. Pauli.